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伊朗导演阿巴斯·基阿鲁斯塔米的作品。一群工程人员来到伊朗库尔德斯坦省的一个小村落。村民不知道他们为何而来，猜疑纷纷，甚至怀疑他们是来寻宝的。每天，工程师都要用无线电话和总部联络，但每次电话响起时他都要跑到山上的墓地去接听，好让他的无线电话可以接收地更清晰。工程师的注意力似乎是在一扇窗子，透过这窗子可以看见房间里有一个老妇正在弥留之际，我们不太清楚他为何会关注老妇的生死，但当影片完结时，基阿鲁斯塔米给观众上了一堂关于生命、尊严、信任、互助和爱的课程。。入围第71届柏林电影节全景单元。 The unexplained death of his niece leads the director back to his family. His investigation of injustice and the arbitrariness of officialdom turns into cathartic family therapy. A personal essay about motherhood, grieving and transgender masculinity.。A generation of disaffected young men searches for meaning in the dark corners of the internet. TFW NO GF offers an intimate portrait of five such individuals- as shared through the metaphor of an iconic meme.。