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火一般的热情和健康的生命力，追寻自己完美的人生之路．．．． 克服传统的不正确的价值念，成长中的年轻人，演绎了充满反抗和爱情的青春电视连续剧，描述了年轻人对于手握重权的上流人物的错误形态的反抗. 有这样一个女子，在一无所有的环境中也不失泰然和温情，她用自己健康的生命力感化着周围的人们。相反，也有这样一个男子，反抗着自己所处的环境。他们通过爱情渐渐恢复对人生的信任。在离异的家庭关系中，青春的热情与痛苦使他们找互相理解的道路。这是一部表现年轻人在人生歧途上的矛盾和喜悦的爱情故事。您可以从本片中看到二十多岁的年轻人是如何去爱、去痛苦、并渐渐成熟的。《走向阳光》展现了新一代年轻人的面貌。。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。